The Beheaded Buddha
/
The Beheaded Buddha
PART I
feat:
Olamiju Fajemisin
(voice)
browser-based experience (17 min)
headphones recommended
desktop optimized (chrome tested)
on display at
»Molecular Minds // Monstrous Matters«
AKADEMIE SCHLOSS SOLITUDE + Technische Sammlungen Dresden
Date: Thu, Mar 4, 2021, 19:00 Uhr
the Beheaded Buddha
2021, essay + digital object + browser-based experience (17 min)
The severed head becomes an object of possession—a commodity. The beheaded body remains in its place, a relic of cultural fracking; the act of beheading a religious artifact is a mode of acquisition, harvesting the remaining fruit of these impoverished times.
The Beheaded Buddha, 2021, .gif (photogrammetry)
The Beheaded Buddha, 2021, .gif (photogrammetry)
When looking at the severed head of a Buddha in a museum, I had never asked myself: “Where is the body of this head?” It doesn’t take a detective’s trained eye to notice the signs of fracture, the broken edges on the neck of the exposed and bodiless head. It was due to ignorance that I did not ask the question. I ignored the discontinuity of the figurative and its absence because of the exhibition itself. The museum seemed to confirm that no further explanation was needed, and the disembodied “head on a stick” did not produce any cognitive dissonance that would have led me to question the scene. I simply didn’t need to ask: “Where is the body of this head?” And yet, very curiously, the first question I asked myself upon seeing the Buddha statues without their heads in Angkor Wat was insistent: “Where is the head of this body?”
To be published shortly as "The Beheaded Buddha," in Decapitated Economies, intercalations 5, eds. A.-S. Springer and E. Turpin (Berlin: K. Verlag and Haus der Kulturen der Welt, 2021).
